josephine baker gold dress Baker, Josephine. (1906–1975)] Banana Belt and Headdress, worn at the –  Schubertiade Music and Arts
SKU: 85707717693
josephine baker gold dress

josephine baker gold dress Baker, Josephine. (1906–1975)] Banana Belt and Headdress, worn at the – Schubertiade Music and Arts

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josephine baker gold dress Baker, Josephine. (1906–1975)] Banana Belt and Headdress, worn at the – Schubertiade Music and ArtsTwo iconic items from the celebrated entertainer, including one of her famous banana belts, this example circa 1930 1950 with gold sequins on the side, apparently worn by her at the Casino de Paris. Former ORTF, SFP Collection. The belt is in heavily worn but stable condition. Ten banana forms are attached, presumably of a larger original number, to a yellow fabric strip. Remnants of sequin detailing remain though most have perished. The filled gold

Two iconic items from the celebrated entertainer, including one of her famous banana belts, this example circa 1930-1950 with gold sequins on the side, apparently worn by her at the Casino de Paris. Former ORTF, SFP Collection.

The belt is in heavily worn but stable condition. Ten banana forms are attached, presumably of a larger original number, to a yellow fabric strip. Remnants of sequin detailing remain though most have perished. The filled gold fabric forms are mostly in stable condition with some creases and small tears and loose threads around the seams.  10 x 14 x 1 inches. Provenance: Former ORTF, SFP Collection. Truly, one of the most iconic items in performance history. 

Sold together with an extraordinary fruit turban headdress with rhinestones and pearls, also from the collection of Josephine Baker.  Inscribed to label with inventory number and the ORTF insignia, "Achat Granier - Joséphine Baker, 30163 OJ83." The painted fruits with significant chipping and some losses, some elements partially loose but stable overall. 27 x 22 x 15 inches. Provenance: Former ORTF, SFP Collection.  One of the extraordinarily elaborate feather and fruit headpieces which were part of the performer's signature costumes. 

Baker was most noted as a singer, while in her early career she was a celebrated dancer. She was given the nicknames the "Black Venus" or the "Black Pearl", as well as the "Créole Goddess" in anglophone nations, while in France she has always been known in the old theatrical tradition as "La Baker." Around 1930, she "began a long and successful collaboration with the Casino de Paris. The Casino was not as famous as the Folies Bergère, but it was still a first-class music hall. Its seasonal productions were extremely lavish, and in no time, Baker re-established herself as the leading star of the Parisian stage." (Alan Schroeder, "Josephine Baker: Entertainer," p. 48)

The Office de radiodiffusion-télévision française (ORTF; lit. 'French Broadcasting and Television Office'), was the national agency charged, between 1964 and 1975, with providing public radio and television in France. When ORTF was divided into 7 smaller organizations, the SFP (Société Française de Production) took control of some of the archives. 

"The image of a dancing Josephine Baker, clad in pasties and a skirt made from replica bananas, is something of a cultural icon. However, today, the skirt’s meaning is very different than when Baker first wore it in 1926. Baker donned the revealing–and according to certain early 1900s moralists, ‘degrading’–skirt when she was still making a name for herself on the international stage. Her performances in the skirt soon gained her fame and fortune that she then used to fight Nazis in France and structural racism in America. As a performer, Baker used her sexuality and hyper awareness of image to manipulate her audience’s sexist and racist fantasies, and deployed them to build a platform for herself to dismantle the very social systems and cultural beliefs that they stemmed from.

Baker’s La Danse Sauvage quickly made her the star of La Revue Nègre. She appeared almost naked, clad mostly in feathers, swinging her hips as her equally exposed partner Joe Alex beat a drum. With rhythmic thrusts and sensual sways, Baker’s movements embodied the sexual language anthropologists projected onto nonwhite bodies. Her audience loved it. “In the short pas de deux of the savages, which came as the finale of the Revue Nègre, there was a wild splendor and magnificent animality,” performance attendee and dance critic André Levinson said. “The plastic sense of a race of sculptors came to life and the frenzy of African Eros swept over the audience. It was no longer a grotesque dancing girl that stood before them, but the black Venus that haunted Baudelaire.”

Only a year later, the dancer donned her famous banana skirt for Folies-Bergére’s civility/primitivism-themed La Folie du Jour. Sixteen rubber bananas hung from a low-slung belt around the dancer’s waist. Along with matching pearl necklaces and jewels, the iconic costume brilliantly appeased and critiqued her audience’s most lurid fantasies. The skirt’s phallic appendages evoked France’s colonial involvement in both the rubber and banana trades. It seemed to present Baker as a colonial sex object, but in doing so highlighted the exploitative nature of the economic and political orders that made her one. Plus, the allegory-loaded skirt’s silhouette subverted ballet’s proper tutu.

Baker was not the only performer on the nightclub circuit to perform African-inspired dances or wear revealing clothing, but she possessed a unique understanding of the racial and power dynamics underlying Paris’ obsession with jazz. She was “a creature neither infrahuman nor superhuman but somehow both,” American poet E.E. Cummings wrote. “A mysterious unkillable Something, equally nonprimitive and uncivilized, or beyond time in the sense that emotion is beyond arithmetic.” Baker embodied an ever-changing character that audience members like Cummings hoped to simultaneously dominate, tame, and embody. " (Courtney DeLong, CR Fashion Book, "Remembering Josephine Baker's Cultural Impact, Banana Skirt, and Beyond")

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Terrianne
Lowell, US
★★★★★ 5
A great book for all
Format: Paperback, Format: Paperback
What a great book. I bought it for my 12 year old granddaughter. A story of resilience.
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Reviewed in the United States on March 16, 2026
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snapbookreviews
Alexandria, US
★★★★★ 5
My favorite middle grade book of 2018 so far
Format: Hardcover, Format: Hardcover
I'll never look at a motel with the same eyes again. Author Kelly Yang brings us Mia Tang, a younger version of herself, who helped her parents manage a motel in southern California in the early 1990s. Mia and her parents arrive from China with two hundred dollars, unwavering optimism, and the belief that if they work hard enough, they will achieve the American dream:  a big house, a dog, and an endless supply of juicy hamburgers. After two years of backbreaking jobs and sketchy living conditions, Mia's parents rush to sign a contract to manage the Calista Motel located five miles from Disneyland. Mr. Yao, the notoriously cheap and unscrupulous motel owner, informs the Tangs that the contract allows him to make any changes and if they don't like the terms, "Just say the word. There are ten thousand immigrants who would take your job in two seconds" (p. 27). Mia quickly makes friends with the "weeklies" and assigns herself front desk duty because her parents must clean every room themselves and be available 24/7  to check in guests. Mia's moxie and sense of justice emerge as she takes on adult responsibilities with a sense of pride and unbridled enthusiasm. She makes plenty of mistakes which makes us empathize with her struggles and root for her as she tackles the english language, bullies, crime, and embarrassment about her thrift store clothes. (Keep your eyes open for the tale of the designer jeans.) Chapters are vignettes that are strung along with seamless transitions to make reading a pure pleasure. The author captures Mia's voice so authentically that the reader is instantly drawn into the story. Mia's uses the power of the written word to advocate for herself and others. Kids will fall in love with Mia and cheer her fierce determination as she navigates her way through poverty and injustice, bringing her family, the weeklies, and everyone else who want to be part of the American dream with her.
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Reviewed in the United States on September 12, 2018
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Kali copp
Lexington, US
★★★★★ 5
Outstanding!
Format: Hardcover
Hiya Bumbles! I am so excited to share this upper elementary/middle grade book with all of you! This is the story of Mia Tang, a Chinese immigrant, and her family’s quest for a better, “freer” life in America. The Tang family is given the opportunity to manage a motel and a journey of heart breaking and heart filling experiences begin. Ms. Yang artfully brings sass and humor to very serious topics regarding social issues that continue to pervade our communities. This is quite a relevant read right now and I can see how fabulous discussions and lessons will arise from this novel. The main character, Mia, is spunky, bright and spreads love everywhere she goes. She also stands up for herself and others when it counts. I loved getting to know her. It was eye opening to read some of the circumstances that the immigrants in the story have to live through. And although there are heavy social injustices that are prevalent in her life, Mia handles them with grace and just the right amount of sass and compassion. I absolutely would recommend this story and I think it teaches so many valuable lessons to readers! I also think that it can transcend age up through YA and it’s a great read for adults too. It’s actually based on some of the author’s own experiences. 🐝🐝🐝🐝🐝 from me! Loved it! #frontdesk #kellyyang #scholastic #kidlit #bookstagram #immigrant #chinese #miatang #spunkandsass #booknerd #kellyyangisawesome
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Reviewed in the United States on June 20, 2018
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Kat
Grantham, US
★★★★★ 4
Great book for young minds to learn about prejudice, immigration, and keeping your identity.
Format: Hardcover
Brand spanking new hardcover. Quality was great. That's the product from Amazon. The story itself has become priceless. I bought it to participate in the Great Global Read Aloud project with my class. However, being fourth generation American born Chinese AND teaching to students of various ethnic backgrounds and citizenship, this story really spoke to me. My 6 year old son has asked me to read it aloud to him as I was vetting the book and has really enjoyed it. Keep in mind there are some mentions of "idiot" and "hell", both in context, but I probably won't read it aloud exactly like that in the classroom to avoid any issues. It's a very eye opening story and lends itself to a lot of conversation about where you come from, who you want to be, and how to be the true you, without giving way to stereotypes and prejudices. These days, more people could use a more humbling story like this to truly just make LIFE GREAT AGAIN, no matter where you live.
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Reviewed in the United States on July 6, 2019
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TN
Belleville, US
★★★★★ 5
One of the best middle grade books of 2018!
Format: Hardcover
FRONT DESK is loosely based on author Kelly Yang’s life experience, as explained in an author’s note at the end of the book. Her straightforward writing makes this book perfect for younger middle grade readers (Mia is 10). Yet Yang tackles difficult issues like interpersonal, systemic, and institutional racism. She writes so simply and honestly, it’s hard to imagine a young person walking away without understanding these powerful messages. FRONT DESK is infused with dark truths about America and still manages to be light, heartwarming, and fast-paced. Lovable Mia solves problems by using her writing skills—not her math skills as her mother wishes she would. She beats the system by using her words, often disguised as the words of adults, to point out injustices and find pathways to a better life for her family and friends. Mia’s and her parents’ find—actually, create—community at the Calavista Motel. They fight back when multiple systems conspire to make life impossible for Hank, an African American man who lives at the hotel. They devise a system to hide desperate Chinese immigrants in vacant rooms. This is deep social justice work, accompanied by anecdotes of Mia’s follies at the front desk and problems at school. The book ends on a hopeful note, with the Tangs’ community surrounding them to help them take the first step off the poverty rollercoaster. The solution they come up with has a chance at helping others get off, too. FRONT DESK shifts the narrative about the American experience, acknowledging that there are many American experiences. The pathway to the American Dream can take many forms, and Yang has described one that is heart wrenching, hopeful, and a lot of fun along the way.
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Reviewed in the United States on June 5, 2018

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